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Dominic Johnson and Kris Canavan, Gold Digger,
2005 (photo: Antonio Genco)
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Dominic Johnson
Dominic Johnson is a writer and artist, based in London.
He is currently finishing his PhD at the Courtauld Institute of Art, and
is a Lecturer in the Dept of English and Drama, Queen Mary, University
of London. He has recently presented work in Glasgow, Zagreb, Ljubljana
and Los Angeles, and has lectured at Kings College London, Brown University
(Rhode Island, USA) and elsewhere. He is a regular contributor to journals
and magazines including 'Frieze' and 'Dance Theatre Journal', and is the
editor of a monograph on the work of Franko B (Milan: Galeria Pack, forthcoming).
Anne Kelly
Anne Kelly is a published novelist, poet, photographer. The Burying Beetle,
Luath press MAY 05 adult lit novel; Poetry Remedy, Patten Press (handbook
on patients poetry workshops); Paper Whites, Poems and photographs, LME.
Etc. Hon Teaching Fellow of Exeter and Plymouth University, Peninsula
Medical School. She teaches the writing of poetry to patients and healthcare
professionals.
Photovoice
Photovoice is a non-profit organisation, which works to empower disadvantaged
and marginalized groups. Using photography as a medium, they enable people
in need to speak out about their challenges, hopes and fears. PhotoVoice
provides the platform for these groups to exhibit and market their work.
PhotoVoice projects have helped local and government policy; raised awareness
and educated public audiences; challenged stereotypes and negative social
attitudes; and helped generate an income for the participants.
Ken Arnold
Ken Arnold has worked in a variety of museums on both sides of the Atlantic.
He joined the Wellcome Trust in 1992 on completing his Ph.D. on the history
of museums. He runs an exhibitions department with a variety of arts projects
that explore the culture of medicine - its art, science and history. He
regularly writes and lectures on the museums and on contemporary relations
between the arts and sciences.
Paul Heritage
Paul Heritage is Professor of Drama and Performance at Queen Mary, University
of London and Director of Peoples Palace Projects.
He was a director with The Gay Sweatshop Theatre Company and founding
director of The Theatre in Prisons and Probation [TIPP] Centre at the
University of Manchester, he has combined academic and professional activity
in theatre for the past twenty years.
Since 1992, he has worked regularly in Brazil where, in addition to creating
a wide reaching theatre projects for prisoners [Staging Human Rights]
he has directed Shakespeare with some of Brazil's most illustrious performers.
He has organised international Forums on Shakespeare at the Centro Cultural
do Banco do Brasil [1994 & 1996], and two conferences for The British
Council on theatre and development [Mudança de Cena: teatro e o
desenvolvimento social, Rio de Janeiro 1999 and Mudança de Cena
2: teatro constuindo cidanania, Recife 2000. Both conferences were collected
together and edited by Paul Heritage in publications for The British Council].
www.peoplespalace.org
Rex Brangwyn
Rex Brangwyn is an experienced Karate and Aikido teacher, a musician,
drummer and osteopath to acclaimed dance company Stomp. He runs courses
in conflict resolution, personal growth, and body awareness.
Susan Francis B.A., A.A. Dip., M.A.
Susan holds a joint post with the Future Healthcare Network at the NHS
Confederation and NHS Estates. She is an architectural advisor to some
50 Trusts engaged in major capital developments for both hospital and
primary care services. She is also advising and supporting government
initiatives including the Design Review Process, updating of technical
guidance and strategic planning.
Trained as an architect, she has worked as an academic at MARU ( Medical
Architecture Research Unit), developing research, presentations, publications
and post graduate training in this specialized field in healthcare for
over 12 years.
Helen Marshall
Helen has a track record in collaborative and socially engaged public
art projects. She has worked with a number of organisations including
The Photographers’ Gallery, BBC2, MUF Art Architecture, LIFT, Rosetta
Life and Space Studios. Her interventions challenge and provoke the inadequacies
of conventional social documentary approaches, often empowering the subject
in the construction of meaning. Her work explores photography and film,
still life, texts and objects and addresses social and individual identities.
www.helenmarshall.co.uk
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