Performing Medicine



Bobby Baker as Pea, 2003 Courtesy of Bobby Baker

The Performing Medicine Project is delivered by a range of contemporary artists and thinkers working across many art forms. Artists who have worked on the project or who are currently developing work include:

Suzy Willson: Artistic Director
Suzy is co-founder and Artistic Director of the acclaimed performance company the Clod Ensemble and has directed all its productions to date including The Feast During The Plague, Greed, The Silver Swan, Red Ladies and Double Agency: a collaboration with acclaimed American company Split Britches. She teaches drama and movement to students, actors, musicians and doctors and has run projects for The Royal National Theatre, English National Opera, The National Gallery, Guy’s Hospital, Glydebourne Youth Opera, Lambeth Schools, Trinity School of Music and Rio University, Brazil. She is an Honorary Non-Clinical Senior Lecturer at Barts and The London, Queen Mary's School of Medicine and Dentistry, University of London.

Bobby Baker
Bobby Baker is a performance artist based in London. During the last three decades she has produced an extensive repetoire of work principally concerned with an exploration of aspects of daily life and human behaviour. She has worked in a variety of media including food, site-specific installation, radio, TV and drawing. Major works include "An Edible Family in a Mobile Home" 1976, "Packed Lunch" 1979, "Drawing on a Mother's Experience" 1989, "The Daily Life Series" 1991-2001 - five shows including "Kitchen Show" 1991 and "Box Story"2001. Her work has been shown widely in the UK and abroad. Her major production "How To Live" was launched at the Barbican London in 2004. In 2005 Baker was awarded an AHRC Fellowship in the Creative and Performing Arts with Queen Mary University of London.
www.bobbybakersdailylife.com

Dr Lizzie Burns
Dr Lizzie Burns has always combined an active interest in both science and art. She gained a doctorate from the Department of Biochemistry at Oxford University before becoming a full-time artist to work for the UK Medical Research Council. She has created a large collection of paintings inspired by biomedical research funded by the MRC. The resulting artwork has been exhibited in the UK and internationally at the invitation of the British Council. Her work has been described by the Chief Scientific Advisor, Sir David King as ‘an exciting, refreshing, optimistic view of medical sciences in oils. Brilliant’.
She has many years’ experience running art workshops for a wide-range of ages and abilities. Her recent projects include running an event in the Science Museum’s Dana Centre.

Sama Fabian
Sama has been practicing Yoga for 23 years and started teaching in 1985. She has studied with prominent teachers in the field and investigated the subject in its various expressions : movement and stillness, breath and rhythm, active psychology and the nature of mind, the senses and the nature of reality.
In 1999 she created Aurolab Yoga Project - a laboratory for experiential Yoga.
She runs teacher study and teacher awareness programs in London, Ireland and Auroville (India). Her ongoing interest in art has led her to collaborations in dance, performance and film. Most recently with film maker Tanya Syed on Inland 2004, super16mm colour, 20mn and Incantation 2003, Black and White 16mm, 7mn.

Emma Govan
Dr Emma Govan is a lecturer in Drama and Theatre at Royal Holloway, University of London. Courses taught include: Live Art, Medicine and Performance, Theatre in Health and Care, and Theatre and Therapy. She has published in the area of suffering and illness in performance and is currently working on a book exploring Theatre in Health and Care for Palgrave. She is also a dramatherapist.

Barbara Housemann
Barbara Housemann has worked as a voice and text coach in the theatre for 25 years. She spent six years in the world renown voice department of the Royal Shakespeare Company and has written a voice book for actors, Finding Your Voice. She has also worked as a presentation and communication skills specialist in the public and private sectors including the Metropolitan Polic, NHS, Home Office and in the City. She coaches journalists for the BBC and voiceovers for documentaries and coporate videos.

Lucinda Jarrett: Rosetta Life
Studied English and Theatre at Edinburgh University before pursuing a career in writing and television. She left the BBC in 1996 to set up Life stories, a project designed to enable the terminally ill to tell the stories that matter to them and share them with an audience of their choice. In 2000 Life stories became Rosetta Life, an artist-led charity with a website www.rosettalife.org. Lucinda is now artistic director of the charity that runs artist-led residencies in over fifteen specialist palliative care centres across Britain. Each centre is equipped with multi media arts equipment enabling hospice users to access the website that holds online exhibitions and enables a community of hospice users to share experiences and ideas with an online community.
www.rosetta life.org

Dominic Johnson and Kris Canavan, Gold Digger, 2005 (photo: Antonio Genco)

Dominic Johnson
Dominic Johnson is a writer and artist, based in London. He is currently finishing his PhD at the Courtauld Institute of Art, and is a Lecturer in the Dept of English and Drama, Queen Mary, University of London. He has recently presented work in Glasgow, Zagreb, Ljubljana and Los Angeles, and has lectured at Kings College London, Brown University (Rhode Island, USA) and elsewhere. He is a regular contributor to journals and magazines including 'Frieze' and 'Dance Theatre Journal', and is the editor of a monograph on the work of Franko B (Milan: Galeria Pack, forthcoming).

Anne Kelly
Anne Kelly is a published novelist, poet, photographer. The Burying Beetle, Luath press MAY 05 adult lit novel; Poetry Remedy, Patten Press (handbook on patients poetry workshops); Paper Whites, Poems and photographs, LME. Etc. Hon Teaching Fellow of Exeter and Plymouth University, Peninsula Medical School. She teaches the writing of poetry to patients and healthcare professionals.

Photovoice
Photovoice is a non-profit organisation, which works to empower disadvantaged and marginalized groups. Using photography as a medium, they enable people in need to speak out about their challenges, hopes and fears. PhotoVoice provides the platform for these groups to exhibit and market their work. PhotoVoice projects have helped local and government policy; raised awareness and educated public audiences; challenged stereotypes and negative social attitudes; and helped generate an income for the participants.

Ken Arnold
Ken Arnold has worked in a variety of museums on both sides of the Atlantic. He joined the Wellcome Trust in 1992 on completing his Ph.D. on the history of museums. He runs an exhibitions department with a variety of arts projects that explore the culture of medicine - its art, science and history. He regularly writes and lectures on the museums and on contemporary relations between the arts and sciences.

Paul Heritage
Paul Heritage is Professor of Drama and Performance at Queen Mary, University of London and Director of Peoples Palace Projects. He was a director with The Gay Sweatshop Theatre Company and founding director of The Theatre in Prisons and Probation [TIPP] Centre at the University of Manchester, he has combined academic and professional activity in theatre for the past twenty years.
Since 1992, he has worked regularly in Brazil where, in addition to creating a wide reaching theatre projects for prisoners [Staging Human Rights] he has directed Shakespeare with some of Brazil's most illustrious performers. He has organised international Forums on Shakespeare at the Centro Cultural do Banco do Brasil [1994 & 1996], and two conferences for The British Council on theatre and development [Mudança de Cena: teatro e o desenvolvimento social, Rio de Janeiro 1999 and Mudança de Cena 2: teatro constuindo cidanania, Recife 2000. Both conferences were collected together and edited by Paul Heritage in publications for The British Council].
www.peoplespalace.org

Rex Brangwyn
Rex Brangwyn is an experienced Karate and Aikido teacher, a musician, drummer and osteopath to acclaimed dance company Stomp. He runs courses in conflict resolution, personal growth, and body awareness.

Susan Francis B.A., A.A. Dip., M.A.
Susan holds a joint post with the Future Healthcare Network at the NHS Confederation and NHS Estates. She is an architectural advisor to some 50 Trusts engaged in major capital developments for both hospital and primary care services. She is also advising and supporting government initiatives including the Design Review Process, updating of technical guidance and strategic planning.
Trained as an architect, she has worked as an academic at MARU ( Medical Architecture Research Unit), developing research, presentations, publications and post graduate training in this specialized field in healthcare for over 12 years.

Helen Marshall
Helen has a track record in collaborative and socially engaged public art projects. She has worked with a number of organisations including The Photographers’ Gallery, BBC2, MUF Art Architecture, LIFT, Rosetta Life and Space Studios. Her interventions challenge and provoke the inadequacies of conventional social documentary approaches, often empowering the subject in the construction of meaning. Her work explores photography and film, still life, texts and objects and addresses social and individual identities.
www.helenmarshall.co.uk

Deborah Padfield with Nell Keddie

Deborah Padfield
Deborah Padfield spent eight years as an actress in theatre, television, and radio. In 1994 she became disabled through chronic pain following surgery and retrained in fine art. In 2001 she won the Wellcome Trust Sci Art Award to develop work with residential pain patients at St Thomas' Hospital. Exhibitions include: Voices', childrens’ millennial exhibition, Guys' Hospital; The Gallery, St George's Hospital, London (inaugural exhibition); Shelf Life, Manchester Town Hall, and Publication; Oh Art! Oxford House, Permanent Installations, ‘Representing Pain’, Wellcome Gallery @ Science Museum: Pain, Passion, Compassion, Sensibility.

Hannah Ringham
Hannah Ringham is a founding member of award winning theatre collective Shunt: shows include ‘The Ballad of Bobby Francois’, ‘Dance Bear Dance’, ‘Tropicana’ and ‘Amato Saltone’ (in collaboration with the National Theatre). Most recently Hannah has collaborated with Sound and Fury to devise ‘Ether Frolics’ a theatre piece about the effect of anaesthetics. Hannah is also a backing singer in ‘Superthriller’ who recently supported Beck on his European tour.

Jonathan Sawday
Jonathan Sawday studied English at Queen Mary College (University of London) and University College London, where he took his PhD in Renaissance Literature. He joined the Department of English Studies at the University of Strathclyde in July 2000, and served as Head of Department (2000-2003).
His research is focused on the intersection between science, technology, and literature particularly in the early-modern or Renaissance period. He has written and published on the visual arts (from sixteenth-century French funerary sculpture to contemporary body art), autobiography in the sixteenth and seventeenth centuries, Renaissance and Restoration poetry, Spenser, Milton, Descartes, Robert Burton, Swift, Hobbes, Shakespeare, Marvell, William Harvey, Rembrandt, forgery, Cyborgs, madness, disgust, and 'race' and 'scientific racism' in the Edwardian period. A book on the imaginative impact of machinery and technology in Europe is currently in preparation. His book The Body Emblazoned is published by Routledge.

Peggy Shaw and Lois Weaver in Split Britches’
Lesbians Who Kill

Peggy Shaw
Peggy Shaw is a self-made independent performer, writer, teacher, producer from New York. She co-founded with Lois Weaver The WOW Cafe Theatre in New York, and the World-renowned Touring Theatre Company Split Britches, both of which have been in operation for 26 years. She is also a solo performer and tours her trio on masculinity" You're Just like My Father, Menopausal Gentleman, and To My Chagrin, as well as Split Britches' Dress Suits To Hire. She is the recipient of three Village Voice Obie Awards, and is a Foundation For Contemporary Arts, 2004 Grant Recipient.
www.splitbritches.com

Megan Tjasink
Megan Tjasink works as an Art Therapist at St Bartholomew’s Hospital in the Medical Oncology Department. She also works at Claremont Project, Islington as an Outreach Worker and Art Therapist.
Megan became interested in art therapy as a result of setting up and running visual art programmes for HIV+ young women and orphans in South Africa. She went on to focus her clinical art therapy training and research on work with people with HIV/AIDS. Megan is an active member of ARC (Art Therapy Race and Culture) and Creative Response (Art Therapy in Palliative Care) sub groups of the British Association of Art Therapists.

Vital Arts
Vital Arts is the charitably funded arts project for Barts and The London. Established in 1996 with just one part time worker, it has grown into an arts and health project with a world class reputation for ground breaking, high quality and innovative work.
Working across three hospital sites, Vital Arts delivers a collaborative programme of integrated arts projects for the comfort, healing and well being of patients, staff and the wider hospital community. We aim to use the arts as a tool to enhance the delivery of healthcare, to value and facilitate the contribution of staff and to create high quality working environments. We encourage a lively and stimulating atmosphere and promote access to, participation in and an understanding of the arts.

Lois Weaver
Lois Weaver has been a performer, director, and writer with the Split Britches Company since 1980. She was co founder of Spiderwoman Theatre and of Wow, a women’s performance space in New York city. She has been touring with Leslie Hill and Helen Paris of curious since 2003. Together they created On the Scent, Lost and Found and are developing a video performance entitled Dirty Laundry, commissioned by Franklin Furnace in NYC. She was dramaturg and director for Peggy Shaw's To My Chagrin and directed Holly Hughes in Preaching to the Perverted. She teaches independently in the US. And at Queen Mary, University of London where she is producing director of East End Collaborations, an annual platform for emerging live artists and director for PSi#12, Performing Rights, an international conference on performance and human rights.

Liz Ellis
Liz Ellis's practice as a visual artist ranges from leading walks to sites of non-conformity in Walthamstow to making vibrant colour photographs, print multiples and artists books. Themes explored in her work have included migration, noisy neighbours and the annual arrival of mangoes in East London.She exhibits widely across Europe in a variety of settings, these have ranged from German art centres,an Irish harbour noticeboard, a disused synagogue in Spitalfields and the Cologne Art Fair. She is passionate about the central role that the arts and culture play in our society. Liz Ellis has worked as an Artist Educator at Tate Modern since the building opened in 2000 and works with a wide range of adult audiences.

John Wright

John Wright
John Wright is regarded as Britain’s leading authority in mask work. He co-founded Trestle Theatre Company and later Told By An Idiot for whom he has directed most of their repetoire including On the Verge of Exploding and Don’t Laugh It’s My Life. He is an international teacher and has received numerous awards for his work.

Anneliese Graham: Project Manager
Anneliese graduated from Goldsmiths College, University of London with an MA in Arts Administration and Cultural Policy in 2005, writing her thesis on Public Value and the Arts. Following an internship at Battersea Arts Centre in the Producing Department, Anneliese began working for The Clod Ensemble as part-time Administrator. Anneliese has also worked as Information Assistant at the Imperial War Museum and as an Administrator at Fuel Theatre. She was made full-time Administration and Development Manager of the Clod Ensemble in November 2005.


© Clod Ensemble 2006